Archive for the ‘Book Review’ category

Exploiting Writers’ Yearning

April 29, 2024

All of us who write want to be read.

Even those who write technical manuals and advertising copy or other completely prosaic scribing want that (or at least need it to keep a job).

For those of us who struggle with words to express ourselves creatively as best we can, the thought of being read, of moving others as we have been moved, helps spur us on. We yearn to be published in some form.

Of course that opens us, in this age of scams, to all kinds of exploitation by those who promise to answer that yearning. They promise surefire methods of varying sophistication which always involve money moving in their direction. Many are internet based, naturally.

The exploitation can take many forms, from the nuanced (combining useful information with the come-ons) to out-and-out flimflam.

A lot of books about writing

Take the writing craft book industry. I have been a purchaser of books on plot, character and structure for a long time, and I have received a lot of benefit from those I found worthy of study. (I am most interested in writing novels.) But to get to the point of recognizing when a craft book author has something genuine to impart, and not just some glib rehash, takes effort.

There are many craft books which try to sell you on their formula for success. If you really want to write the story that will live for you, and for others, there is no such formula. Unless you want to give up on your own creative potential.

However, in the mechanical method world that the writer is invited to enter, you have to divide your book into three or four acts, have the exact number of beats (important plot points) that occur at exactly the right percentage of the novel length, and know from the start what theme you’re going to beat the potential reader with.

Here, I’m thinking of craft books like Blake Snyder’s Save the Cat (on screenwriting) and Save the Cat Writes a Novel. The following type of advice is common to both:

“The numbers in parentheses [on the Beat Sheet] are the page numbers where the beats take place. …I want my act breaks, midpoints, and All is Lost moments to hit their marks. And I insist they do. …Break into Two happens on 25. I have been in many arguments. Why not page 28? What’s wrong with 30? Don’t. Please.”

In the application of his method to the novel, Snyder prescribes that, for instance, the inciting incident must occur at 10% of the way through. Not 12% or 8%. And so on. (It depresses me to describe further.)

Three acts or bust

Then there are all the craft books which insist that a novel must have three acts. They like to cite Aristotle on this, as if this makes it mandatory to transfer an ancient convention from play writing to novels.

Every story can be divided into a beginning, a middle, and an end. Pretending that elaborating this truth into complicated procedures is a complete writing solution borders on the laughable.

As just one example, from one of the many craft books I’ve got around me, there is The Story Template by Amy Deardon. Her variation on the three-act theme, not uncommon, is to divide the second act, the middle, into two. This is right after she quotes Aristotle and cites Blake Snyder’s works.

So many of these books, to my mind, have got the whole process of creative writing backwards. They prescribe an analytical methodology as the secret to a person’s creative output, and nothing is more likely to kill that process.

I’m not saying that chaotic, completely unstructured writing is the way to go. Even this post has a structure to it that comes out of the writing, rather than somebody else’s beat scheme.

The discovery method

The “method” I advocate for myself is one of discovery. Would-be fiction writers are far better off to follow Robert Olen Butler’s flexible process in his book From Where You Dream, or how Jane Vandenburgh approaches novel writing in Architecture of the Novel. Another book that examines the over-structured advice writers often receive is Story Trumps Structure by Steven James.

Many of the self-anointed story gurus, after writing a craft book or novel, set themselves up on the web as experts.

The problem for them is that to maintain engagement and a stream of cash for their spin-off publications, they must continually throw out new and improved craft techniques, or re-spin somebody else’s ideas, in hopes that the yearning writer will continue to follow them.

I think of author K.M. Weiland in this regard who has written books on her three-act method and now is off on a tear about archetypes. And then she will quote from Butler’s advice while ignoring the intent of what he was getting at: that we must escape from analysis and find a way to let our unconscious influence and guide our writing, or it won’t mean squat.

This is not so easy to put into a scheme to be sold to others. The unconscious is wary of analytical thought, and will go into hiding immediately upon smelling its hounds. (Keen sense of smell, the unconscious.)

I’m always surprised, in my so far unsuccessful efforts to get literary agents interested in my novel writing, to find so many other would-be authors pursuing the same goal. Trading on this congestion, especially with the present state of the publishing industry, a variety of businesses are eager to take advantage.

Low, low prices

I subscribe to posts from Reedsy, as one of these, which is basically a self-publishing promotion enterprise. They are organized and high-pressure about you the writer giving them money for their many services. Although I have gotten useful information out of them that is not completely self-promoting, such as lists of literary agents.

Look for them in a search engine, and they’ve got SEO under control – many, many links tied directly to Reedsy on the top of the results page, invariably positive of course.

But read about them on Reddit for unvarnished opinions and it’s not so flattering.

For an example illustrating my misgivings about them, there’s the offer Reedsy keeps pushing for a novel writing course. I’m not in the market for that, but I was curious.

It is offered by one Tom Bromley for the low, low price of $1249 with a required deposit of $250.

Really? Save your dollars and read a few good books about the craft of writing (like The Anatomy of Story by John Truby or others noted above). And then write every day.

And finally for this discussion, although I’ve only scratched the surface of the exploitative landscape, there is the rabbit hole offered by the Dramatica theory of writing. Now deepened by an AI application called Subtxt.

In Dramatica you can try to apply everything there is to know about the Four Throughlines, the Guardian and Contagonist, Split Archetypes in Quads, The 16 Motivation Elements, The 64 Element Question, Story Encoding, Benchmarks, The Co-Dynamic Pair, The Domain Act Order, and on and on. One can only imagine a poor writer sinking out of sight, immobile in consternation, into the quicksand of all this jargon.

AI of course

And then AI gets into the act. I’ve used ChatGPT for brainstorming purposes, to try to amplify ideas that don’t seem quite enough. The results are mostly banal and bland.

But the purpose of Subtxt is to actively help write the stories for you following Dramatica theory, which could be a relief for anyone trying to jump through the hoops of Dramatica in their writing.

You can get the use of the AI for only $250 a month, with an annual plan for the low, low price of $2500.

In a way, these prices, at both Reedsy and for Subtxt, illustrate that these businesses believe in the desperation of their writing clients.

The yearning makes us easy marks.

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Note: The image above is from The Writers Alliance. That specific page has a review of Dorothea Brande’s book about writing and quotes her as saying:

“The first step toward being a writer is to hitch your unconscious mind to your writing arm.”

How to do that is the challenge.

The Highly Implausible Jack Reacher

November 27, 2023

Although I have been a life-long admirer and would-be practitioner of science-fiction stories, I also read a lot of thrillers.

As a genre, thrillers have a wide range and the ones I enjoy most border on the literary. I’m thinking here of the intense emotional action and complex characters of Karin Slaughter, as one good example. Another was the long-running series by the sadly missed John D. MacDonald featuring Travis McGee which while formulaic in some respects created a character that seemed like a fully rounded human being.

The writing teacher John Truby in his book Anatomy of Genres puts thrillers and detective stories in one related category, although he is careful to distinguish the two.

To him detective stories are about asking questions, searching for truth and assigning guilt. The thriller story strategy is to place a vulnerable hero in a tightening vise and show them trying to escape by finding the truth. “In the best thrillers, the hero’s investigation into a potential crime also becomes an investigation into fear itself.”

Andrew Child and Lee Child

I remember reading many of the earlier titles in the Jack Reacher series and enjoying retribution being brought against the bad guys. And overcoming the fear caused by them.

The thriller series was authored originally by Lee Child for most of its books, and now by Andrew Child, his younger brother (although Lee still gets credit on the cover). It features ex-military policeman Jack Reacher and began in 1997. It has now gone on for 27 books.

Big and tough

Our hero Reacher is big, tough, and travels around at random without any belongings. He continually finds himself in situations where authority is being abused, or criminals have the upper hand, or violent conspiracies are afoot. He always impressively takes command and gets revenge or brings justice to despicable human beings, while protecting the more-or-less innocent. There is a predictable sequence of events in these stories, which I’m sure fans expect.

There came a point, though, a few years back (when Lee Child was still at the helm) when Reacher’s actions in a particular entry in the series became so improbable that I had to put the book down.

I don’t remember the title, but I do recall Reacher taking on single-handed without a proper weapon a score of bad guys in an impregnable bunker, and yes, without a scratch, kills them all in violent and brutal ways to save the day. (Violent and brutal consequences for the villains is one distinguishing mark of the series and I suspect increasingly so as the series goes on with the continued coarsening of our culture.)

But, remembering what I did like about the series, I picked up the latest recently, No Plan B. After reading it, I looked at the cover again and found a flattering endorsement by Karin Slaughter, a writer as mentioned I admire. This is a shame, since Slaughter’s work is head and shoulders above the Reacher books.

But this is a window into the publishing industry, where established authors must hype each other’s novels to the heavens in cover blurbs for marketing purposes. No doubt we’ll see lavish praise from Lee Child/Andrew Child on the next Slaughter novel. Whether these people actually read each other’s books is unknown.

The Reacher novel in question has on the back cover a full length photo of Lee and Andrew in leather coats posed to look as grim and ready to rumble as readers must imagine their hero to be.

A free spirit?

So who is this Jack Reacher guy? He roams around the country on buses or by hitchhiking, mainly, without any luggage or other belongings. He may have a toothbrush. No cell phone.

Clothes? Apparently he buys a new set whenever he needs them. ID? Expired military. Money? This is left completely unclear, but he always seems to have enough cash on him (no credit cards please) to pay for a hotel for himself and characters he protects. If you have ever tried to pay for a hotel room these days with just cash, you know how unlikely that might be, especially with out-of-date ID.

At the beginning of this novel, in a strange town, Reacher is interviewed by a police detective, who never asks about Reacher’s background or address, but somehow gets a copy of Reacher’s impressive, we’re told, military record. The detective supplies him with all kinds of information, eventually even pleading with Reacher for help in his investigation.

Reacher is a man in this portrayal with only a shred of an inner life. In this book he confesses to an interest in Civil War artifacts, but that’s about it. He has no friends, no companions, no lovers, although he will have sexual encounters with different friendly females on rare occasions.

He just wanders around really enjoying tearing bad guys limb from limb. We have to be glad that as far as we know, his gimlet eyes and hulking frame haven’t set on some innocent target by mistake or by enthusiasm. Although occasionally he can act like a bully.

But dealing with bad guys is his forte. Here’s a typical passage: “Its blade was only three inches long. But it was sharp. … Reacher held it up for Hix [a bad guy] to see. He said, ‘I watched you on the stage this morning. … Like you loved the attention. The cameras. So tell me this: Would the cameras still love you if I slice your nose off and make you eat it?’”

In this book, Reacher successfully invades a corporate-run prison and saves a prisoner being prepared for organ donation. Of course the prison is mightily guarded. “He was in the heart of enemy territory. Massively outnumbered. Competely outgunned.”

The writing style is that of very short sentences, which adds to the impact and pacing of action scenes, but becomes ripe for parody after awhile.

Contrast with Travis McGee series

Contrast Reacher with the Travis McGee series by John D. MacDonald, which Lee Child has acknowledged informed the creation of Reacher. (The last of the 21 Travis McGee books was published in 1984.) McGee is not a cop or private detective but a “salvage consultant” who lives on a houseboat. He’s big, formidable in a fight, but he has a life with friends and lovers and interests. Between action scenes he may even discuss philosophy.

The clients in the McGee thrillers/mysteries are people who have been taken advantage of (typically by unscrupulous or illegal means) and come to McGee for help.

As one fan puts it: “… The real pleasure of McGee’s colorful world comes from his inner monologue. Over the span of his adventures, McGee observes and comments on nearly every aspect of an ever-changing America. He also provides insight on the wonderfully fleshed-out characters he meets.”

“Fleshed-out” is not an adjective that many would apply to the characters of Jack Reacher’s world, including the big guy himself.

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Synthetic Biology: Where Will the World End Up?

April 6, 2023

We hear a lot of fearful hysteria or adoring glorification of the new large language model (LLM) pseudo-intelligences like Chat GPT.  The LLMs may show to some the imminent arrival of the Singularity, or to others the advent of over-hyped artificial entities which humans can con themselves into worshiping.

But if we must be alarmist about coming technological changes, there is another stream of more extreme hazard.  After reading “Emerging Threats of Synthetic Biology and Biotechnology“, you may want to run down the street waving your arms and tearing off your clothes to sob at the sky.

Emerging Threats of Synthetic Biology

If you can manage to wade through the bureaucratic and academic language of this compilation of papers from the NATO Science for Peace and Security Programme, published in 2019, you will realize that none of the authors, or indeed, any one else are able to realistically suggest how to prevent the widespread weaponization of biology.  And why would anybody want to weaponize biology?  For the same reasons we see all about us on the internet where individual hackers and state actors manipulate the digital world.  For power and money.  Biological ransomware, anyone?

I’m working on a science-fiction novel which incorporates genetic engineering and synthetic biology set far in the future, so I’m reading a lot of background information on the subject.

synthetic biologyDespite all the attention paid to AI, synthetic biology is a technological revolution going on in parallel with it and with nanotechnology that portends much greater danger to the human race and other living creatures than a few chatbots imitating intelligence on the web.

Some of the upcoming and ongoing hazards listed in an article on biosecurity threats in the above compilation include:

Dual use
Bioweapon
Ecological impact
Accidental release
Bioterrorism
Gain of function
Societal impact
Information access
Lower barriers
Uncertain consequences
DIY community

“Dual use” in this context needs some explanation.  It describes how an aspect of technology can do good, and also be capable of causing great harm.  For instance, synthetic biology can be used to engineer microbes that can produce biofuels from renewable resources. While this has the potential to reduce reliance on fossil fuels and mitigate climate change, the same technology can be used to create novel biological agents for biowarfare or bioterrorism.

Gain of Function

“Gain of function” can mean:

By introducing new genes or modifying existing ones, synthetic biologists can create organisms with new or improved properties, such as increased resistance to disease, enhanced metabolic activity, or improved growth rate.

We’ll come back to this one, and the flaws inherent in this conceptualization.

One can also imagine parents demanding inheritable genes changed in their children to enhance a desired trait, such as musicality, tallness, large muscles or swaggering belligerence, with no idea of potential long-term consequences for their children, subsequent progeny, and the world at large.

Do It Yourself (DIY) Biology Hacking

The so-called Do It Yourself (DIY) community threat brings home a lot of the others.

The recent emergence of CRISPR as a gene-editing tool has enabled precise and inexpensive methods of engineering individual organisms, biological systems, and entire genomes.

CRISPR and similar tools along with the ability to order biological and genetic components online has enabled a movement of “citizen scientists” interested in synthetic biology experiments to become an international phenomenon over the last few years.

Often with little prior knowledge of the field, enthusiasts meet in makeshift labs to take crash courses in biotechnology and conduct hands-on experiments. Simple protocols found online and specialized kits costing US$150–US$1,600 have driven the movement’s rapid expansion. DIY Bio labs can be found in most major cities. There are hundreds if not thousands of such groups worldwide.  Bio-hackers are a reality.

A complex issue on the horizon is the development of benchtop DNA synthesizers. These devices would allow operators to synthesize DNA in house, reducing the need to order from a provider likely to screen an order.

“Managing” Biosecurity

Another article in the above compilation examines the challenges to managing biosecurity.

It makes three points:

  1. Security threats from synthetic biology are fundamentally different from those posed by chemicals, explosive, or radioactive material. Actors can use genetic engineering and editing technologies to alter or create a variety of platforms, including viruses, microorganisms, multicellular organisms, prions, and even cell-free systems.
  2. Exposure and vulnerability to synthetic biology threats are difficult, if not impossible, to quantify at present. We cannot confidently predict which platform might be used to generate a biological threat or weapon. We cannot know what the target of a biological attack will be, whether it be humans, important crops, livestock, native species, the environment, or other assets.
  3. It is hard to predict the consequences of release because it is unknown how the weapon will be deployed against the target. The new ability to modify almost all eukaryotic cells means that any biological system could be a mechanism of disruption for such a weapon. (“Eukaryotic” cells are more complex and have a definite nucleus.)

Even such a vital and basic structure as soils are vulnerable to genetic manipulation of the organisms that dwell therein which creates the ecosystem that grows our food.

Threats Emerge at Convergence Points

One learns in this document that emerging threats are likely to arise at the convergence points of new developments. So where synthetic biology, nanotechnology, and AI and computer advances meet, we can expect new hazards, many unanticipated, to make themselves known.

Synthetic-bio-cell-2726687662For instance last year a drug-developing AI invented 40,000 potentially lethal molecules in six hours. Researchers put AI normally used to search for helpful drugs into a kind of “bad actor” mode to show how easily it could be abused at a biological arms control conference.

I wanted to return to some of the problems with “gain of function” manipulations mentioned above, which are usually lauded for their beneficial effects.  The main problem is one of arrogance, and the blinders provided by greed and ambition.

One example: Researchers hunted for unintended consequence of genetically modified potatoes with supposed improved sugar metabolism in the plant.  They produced more amino acids than they were supposed to. This “was not known to be related to the sugar breakdown pathway targeted by the genetic manipulation.”

Another: Genetically modified canola was also investigated which had been changed to increase beneficial carotene.  The scientists found that “unpredictable unintended effects, in contrast, fall outside present understanding… Where the beneficial carotene content in transgenic canola was raised, the composition of fatty acids was also altered.  There is no known connection between fatty acid synthesis and the carotenoid pathway.”

One of the problems with much “gain of function” research is that unexpected or non-target results are ignored or not reported.

Unintended Consequences

As one review of scientific studies states:

“That is, unintended effects arise because the organism is a tightly integrated whole; but because we have hardly begun to understand the complex web of interactions within this whole, the effects remain unpredictable.

“So while the genetic engineer wants control, stability, regularity, and constancy, life plays itself out in dynamism, unpredictability, and change.”

If anything, I have understated the risks that have already and will likely in future develop from the rise of synthetic biology.  They are not just here in developed nations, but across the rest of the world in the midst of all the political and environmental upheaval going on everywhere.  It is sobering.

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Additional notes:

I found, in addition to the more recent summary document that initiated this post, that two articles by Craig Holdredge in In Context #19 gave a welcome detailed overview of the nature of risks associated with synthetic biology.  They are:

“Understanding the Unintended Effects of Genetic Manipulation” and “Some Examples of Unintended Effects of Genetic Manipulation.”

The images above are from (top down): Syngulon.com and Meer.com.

A Personal List of the 20 Best Science-Fiction Novels

October 7, 2022

Often the internet seems like a collection of lists: the 100 best pop-songs, the 15 worst scams, and all the rest.  People seem to respond to numbered compilations.

In the science-fiction realm, I’ve read quite a few lists about some aspect of “best”, whether of this year, or by women authors, or the most technologically significant.

In the end, they are all personal lists – usually one person’s idea and often displaying whatever social correctness we are supposed to elevate.

This is my list, based on an admittedly incomplete sampling, although over quite a few decades.  Many of them were written in the 1950s through 1960s, which to me is the bedrock of modern science-fiction.  You can’t really understand where science-fiction is today without recognizing the immense talent that preceded the current flowering of the genre and its many brilliant authors.

If you were to read the novels mentioned here, I feel you could only come away with a deep appreciation for the wonder and otherness that science-fiction seeks to portray.

Such is the depth of the field that many variations of this list are possible.  This particular one though has stories that touched me on many different levels, and I think still could for anyone who reads them anew.

As I went through these titles, I was struck hard again by the sweep of imagination of the authors.  The daring.

A few of the entries below are trilogies or series, but in my mind those are one big novel.

I will go through them chronologically.

1. Brave New World, Aldous Huxley

I was hard-pressed whether to select this dystopian novel, published in 1932, or George Orwell’s later take on the same theme, 1984.  I read them both in a log cabin in northern British Columbia in the 1960s as an impressionable boy.  They served to make me deeply suspicious of all forms of authority.

BNWIn the end, Huxley’s novel is the more menacing of the two.  While 1984 portrays overwhelming brutality against the individual by the state, in Brave New World people are effectively seduced to accept their utter servitude. As Huxley stated in a letter to Orwell:

“Within the next generation I believe that the world’s rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience.”

2. Foundation Trilogy, Isaac Asimov

Set against a backdrop of galactic empire, the psychohistorian Hari Seldon founds a secretive branch of mathematical sociology.  It enables him to predict the future of large populations, and through it, he predicts the fall of the empire.  He foresees a new Dark Age lasting 30,000 years, but through his new discipline, he endeavours to slightly deflect for the better the onrushing series of events.  In later millennia he appears as a kind of hologram, although long dead, to help guide what happens, due to his calculations.

A quote from Hari Seldon that has stuck with me: “Violence is the last refuge of the incompetent.”

FoundationI still remember holding the hard-back volumes of this intriguing story by Isaac Asimov which began with the trilogy from 1951 onward, eventually extending to more volumes in the 1980s.  I read it several times during my teenage years.  Hari Seldon was an amazing character to me.  Foundation won the one-time Hugo Award for “Best All-Time Series” in 1966.

Of course Isaac Asimov was one of the most famous of science-fiction writers, with work ranging from the I, Robot series to the novel The Caves of Steel.

3. Childhood’s End, Arthur C. Clarke

The human race is about to enter a new phase.  At the end of this poignant story, published in 1953, we come to understand that children are undergoing a transformation.  They are metamorphosing into something that transcends human existence.  The facilitators of this change are a tragic alien race who peacefully invaded Earth.

CEThe aliens are only caretakers of the human race while it undergoes the transformation into something spiritually superior.  What has been the human race will be no more.

The English author, Arthur C. Clarke was a writer, futurist and inventor who also wrote the screenplay for 2001: A Space Odyssey and many other novels such as Rendezvous with Rama.  He was a well-known proponent of space travel. 

I remember him also for short stories such as The Nine Billion Names of God, where Tibetan monks strive to encode all the possible names of God.  They believe the universe was created for this purpose.  They need modern technology to complete their task, and enlist the expertise of two Westerners.  As the monks complete their long mission, “overhead, without any fuss, the stars were going out.” 

4. More Than Human, Theodore Sturgeon

A novel about six misfits, each with a strange power, who come together after many tribulations to form a new kind of human being, homo gestalt, a whole of combined consciousness.

MoreThe story, published in 1953, was praised by some reviewers for “its crystal-clear prose, its intense human warmth and its depth of psychological probing.”

Others said the novel “transcends its own terms and becomes Sturgeon’s greatest statement of one of his obsessive themes, loneliness and how to cure it.”

Sturgeon also coined “Sturgeons Law”: “Ninety percent of science fiction is crud, but then, ninety percent of everything is crud.”

5. The Kraken Wakes, John Wyndham

Another novel from 1953, this apocalyptic story begins with a journalist and his wife observing the fall of mysterious objects into the ocean.

Kraken

The story has three sections: the first where the aliens arrive and do mysterious underwater things, the second when the aliens attack in “sea tanks” that send out sticky tentacles and drag people into the water, and the third where the aliens raise the sea level and change the climate, and civilization collapses. This all takes place over many years.

A professorial third character with considerable insight tries to warn everyone about what may happen, but is widely ignored due to his alienating manner.

Even by the end of the novel, nobody ever sees the aliens.

Reviewers praised the novel as “a solid and admirable story of small-scale human reactions to vast terror.”

John Wyndham, a British author, also wrote The Day of the Triffids, The Midwich Cuckoos and The Chrysalids, among other notable works.

6. A Canticle for Liebowitz, Walter M. Miller, Jr.

Published in 1959 and winning the Hugo Award for best science-fiction novel in 1961, this story covers a post-apocalyptic period of thousands of years. The apocalypse was occasioned by nuclear holocaust.

In the 26th century, Brother Francis Gerard of the Albertian Order of Leibowitz of the Catholic Church is on a vigil in the Utah desert. Brother Francis discovers the entrance to an ancient fallout shelter containing “relics”, such as a 20th-century shopping list which becomes sanctified as a holy remnant of an ancient world. The Church persists as the preserver of civilization.

Canticle

The novel has been subject to considerable literary and critical analysis. In other words, it came to be treated with respect outside the science-fiction genre.

The novel is structured in three parts separated by six hundred years. This book was my first exposure to any model of cultural history. In Miller’s own words from another work: “All societies go through three phases…. First there is the struggle to integrate in a hostile environment. Then, after integration, comes an explosive expansion of the culture-conquest…. Then a withering of the mother culture, and the rebellious rise of young cultures.”

In the end, this cyclical process catches up, in a tragic way, to all that humanity hopes to accomplish.

7. The High Crusade, Poul Anderson

When an extraterrestrial scout ship lands in medieval England, it is encountered by a knight recruiting a force to help Edward III in the Hundred Years War against France. It seems the aliens have forgotten how to do hand-to-hand combat, and Sir Roger and his men capture the ship.

High

The whole set-up still makes me grin. Sir Roger and company think the ship is a French trick. The local villagers finish off the rest of the alien force, except for one, and join the soldiers in the ship. Sir Roger determines to go to France to win the war and then liberate the Holy Land.

With the grudging aid of the last alien, representing a tyrannical empire bent on invading Earth, they take off. The alien misleads the Englishmen and the ship actually heads off towards another of the alien empire’s worlds. Adventures ensue.

The prolific Poul Anderson was one of the great science fiction authors. His books were nominated for seven Hugo and three Nebula awards. The High Crusade was published in 1960. Anderson also wrote such novels as There Will Be Time (1972) and The Boat of A Million Years (1989).

8. Dark Universe, Daniel Galouye

Another post-nuclear-apocalypse novel, Dark Universe from 1961 finds survivors retreated underground, where they live in total darkness.

Dark UniSince the survivors have no visual ideas of Light and Darkness, the concepts become religious. They believe that the Light Almighty banished humankind from Paradise during a conflict with the demon, Radiation, and his two lieutenants, Cobalt and Strontium.

Jared is the son of the leader of the survivors who use click-stones and echoes to navigate the darkness. Jared goes on a quest for Darkness and Light and encounters another clan of survivors who use infrared to get around.

Galouye creates an ingenious world, which in the end is redeemed by the Light. Many have noted the resemblance of the story to Plato’s allegory of the cave.

The novel was nominated for a Hugo in 1962, but lost out to the next novel in this list.

9. Stranger in A Strange Land, Robert Heinlein

This is the story of Michael Valentine Smith, born on Mars and raised by Martians, who comes to Earth and encounters the United States after World War III, where religions are powerful.

He becomes a celebrity and his presence begins to transform human society. He exhibits psychic abilities and superhuman intelligence, while having a kind of open-minded innocence.

However, his appearance and actions on Earth shake the political and cultural balance and his life becomes in danger.

According to Wikipedia, Heinlein named his main character “Smith” because of a speech he made at a science fiction convention regarding the unpronounceable names assigned to extraterrestrials.

Stranger

He also was to write about the novel, “I was not giving answers. I was trying to shake the reader loose from some preconceptions and induce him to think for himself, along new and fresh lines.”

It became the first science-fiction novel to enter The New York Times Book Review‘s best-seller list.

During the 1960s, the book became a countercultural favorite, not least for the word “grok” which took on the meaning of a coming together of subject and object that can’t always be articulated. When you grok something, you not only understand it, you become, in some sense, a part of it, and it, a part of you.

10. The Immortals, James Gunn

Published in 1962 and incorporating several previously published stories, this is the chronicle of a small group of immortals surviving on the edge of a dystopian society which is striving to hunt them down.

Immortals

They are living fountains-of-youth, due to a genetic mutation, whose blood can make others immortal too (if replenished every month).

As one reviewer on Goodreads notes: “…The Immortals opens with scenes that could almost come from a crime novel rather than a science fiction story. Private detectives are hired, people are on the run, evil rich men will do anything to get what they want, no one can be trusted.”

I remember it for its thriller-like excitement and the tense pacing of its writing.

James Gunn, who only recently died in 2020, was a well-known professor of English and promoter of science-fiction as a humanistic endeavour at the University of Kansas.

11. Cities In Flight series, James Blish

This four book series was published from 1950 to 1962, but the one that sticks with me most was A Life For the Stars from 1962.

The premise is that entire cities from Earth fly among the stars using an anti-gravity device called the Dillon-Wagoner Graviton Polarity Generator, or spindizzy for short.

Cities_in_Flight

The spindizzy allowed some cities to escape the oppression of a tyrannical regime on Earth and look for work among the other denizens of the galaxy.

The 1962 book describes the rise of 16-year-old Chris Deford who eventually becomes the city manager of New York City as it wanders through the cosmos.

These are stories for which the term “space opera” was invented.

The American writer James Blish also wrote a series of Star Trek novelizations and the Hugo Award winning A Case of Conscience in 1959.

12. Way Station, by Clifford D. Simak

As a lonely teenager, there was something about this story of a young man managing a way station for time travelers that resonated with me. The young man, Enoch, stays the same age while those in the normal world around him get older, and this gets difficult to explain after a while. Originally he is a Civil War veteran.

Way

Eventually after a hundred years or so, the US Government takes an interest and a CIA agent is sent to investigate him. This is the beginning of many adventures.

Published in 1963, the book went on to win the 1964 Hugo Award for best novel.

Clifford Simak had an unique, warm style of writing.

He once stated:

“Overall, I have written in a quiet manner; there is little violence in my work. My focus has been on people, not on events. More often than not I have struck a hopeful note… I have, on occasions, tried to speak out for decency and compassion, for understanding, not only in the human, but in the cosmic sense. I have tried at times to place humans in perspective against the vastness of universal time and space. I have been concerned where we, as a race, may be going, and what may be our purpose in the universal scheme….”

In 2019, Netflix announced plans, so far unfulfilled, to make a movie based on the book.

13. White Lotus, John Hersey

Here is a writer from the literary mainstream who created one of the best alternative history novels that I’ve come across. Some might call it speculative fiction, or other terms to make it more respectable, but it is still science-fiction to me.

In this 1965 novel, white Americans have become enslaved by the Chinese and are now a subservient race. The story follows a young Arizona girl renamed White Lotus.

White Lotus

In the memorable prologue of the story, White Lotus raises one knee and stands on the other foot to take the posture of a sleeping bird, in an effort to shame the Chinese governor as a non-violent protest against tyrannical treatment.

Her simple act of standing before her captors on one leg, head bowed like a sleeping bird becomes an often repeated act of nonviolent civil disobedience, an unconventional act in the spirit of Gandhi and Dr. Martin Luther King.

John Hersey was born in China, the son of Protestant missionaries, and learned to speak Chinese before he learned English.

As a journalist, his account of the atomic bombing of Hiroshima, celebrated for its thoughtful and horrified humanity, was judged the finest piece of journalism of the 20th Century by a 36-person panel associated with New York University.

Hersey’s first novel, A Bell for Adano, about the Allied occupation of a Sicilian town during World War II, won the Pulitzer Prize for the novel in 1945.

14. Ubik, Phillip K. Dick

Phillip Dick was a strange and volatile man. He is now celebrated for the movie adaptations of such writings as Do Androids Dream of Electric Sheep? (Blade Runner) and The Minority Report (Minority Report).

He had a hallucinogenic view of reality fed in part by actual hallucinogens.

But as Wikipedia points out:

Ubik

“His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against elements such as alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness.”

His 1969 novel Ubik illustrates much of this. In it psychic powers are used by corporations for business espionage, and cryonic technology preserves recently deceased people in hibernation.

It follows Joe Chip, a technician at a psychic agency who, after an assassination attempt, begins to experience strange alterations in reality that can be temporarily reversed by a mysterious store-bought substance called Ubik.

15. The Lathe of Heaven, Ursula Le Guin

In this 1971 novel, a man wakes up one morning and discovers that his dreams have the ability to alter reality. 

From this simple and imaginative premise, Le Guin devises a tale about a man who goes to a psychiatrist about his problem. The psychiatrist understands immediately the power his patient wields.

Lathe

At one point the protagonist dreams of aliens who become a reality.

The patient finally understands that he must preserve reality itself as the psychiatrist becomes adept at manipulating the man’s dreams for his own purposes.

Of course Le Guin is famous for many of her thoughtful, culturally significant novels, including The Dispossessed, The Left Hand of Darkness and the Earthsea trilogy. She also wrote much non-fiction, including essays about her craft, which I found quite inspiring (Steering the Craft: A 21st-Century Guide to Sailing the Sea of Story).

16. The Sheep Look Up, John Brunner

This novel from 1972 is the third in what has been called British author Brunner’s near future “Club of Rome Quartet.” The Sheep Look Up concerned itself with consumerism and rampant pollution. Stand On Zanzibar was about overpopulation, The Jagged Orbit concerned itself with racial tension and violence, and the later The Shockwave Rider dealt with technology and future shock.

Sheep

As much as I admire these books and Brunner, they often now seem outdated, surpassed by actual events. But his prescience in many cases was spot-on. In Shockwave Rider from 1975, for instance, he created a computer hacker hero before anyone even heard of such a thing.

In The Sheep Look Up, water pollution is so severe that “don’t drink” notices are frequently issued. Household water filters are popular items. Air pollution has reached the point that people in urban areas can’t go outside without wearing masks. The fumes left behind by aircraft are such that it causes air sickness in planes trailing behind. California is blanketed by a thick layer of smog that prevents the sun from shining through. Acid rain forces people to cover themselves in plastic so that their clothes don’t get ruined. The sea has become so polluted and the beaches so strewn with garbage, that people now vacation in the mountains. (Not so far-fetched, no?)

It follows several characters over the course of a year as their paths intertwine while they struggle to cope with the drastic changes in the environment, and as the United States starts to collapse under the weight of pollution. It is a pessimistic novel redeemed for me by its somewhat experimental structure, and the density of its ideas and insights about our world’s problems.

17. Lord Valentine’s Castle, Robert Silverberg

Robert Silverberg is one of my favorite science-fiction authors for the excellence of his writing, the philosophical cast of his mind, and his tendency towards themes of transcendence.

He is more celebrated for earlier novels such as A Time of Changes, The World Inside, and Downward to the Earth, deservedly so, but for some reason this novel sticks with me more.

Lord Val

Lord Valentine’s Castle (1980), part of what is known as the Majipoor Series, incorporates aliens, galactic empire, descendants of colonists, lords, castles and wizards to become that odd genre creature, science fantasy.

The story takes place on the gigantic planet Majipoor. It is about ten times the size of Earth, with cities often housing as many as 10-20 billion citizens. We follow a young man named Valentine who suffers from amnesia and who joins a troupe of jugglers during celebrations for the ascension of a new Coronal, the emperor of this planet, also named Valentine (which is said to be a very common name).

Gradually, we learn that the juggling Valentine has been robbed of most of his memories, and has had his true body stolen from him. He is the rightful Coronal of Majipoor.

The planet of Majipoor becomes another character in the narrative. It is full of people, creatures, machines, alien races and interesting locations.

This straightforward, in many ways, adventure story exhibits Silverberg’s wonderful writing craftsmanship.

18. Plague Year Trilogy, Jeff Carlson

Microscopic machines designed to fight cancer instead go awry and begin to disassemble warm-blooded tissue to make more of themselves. Eventually the human body succumbs to the onslaught of the spore-like machines. They spread like a virus by way of bodily fluids and through the air.

Plague

Either on purpose or as a design flaw, the nanovirus is limited by altitude, namely 10,000 feet. All warm-blooded animals are killed below that elevation, while humanity retreats to high places.

With thriller-like pacing, the Plague Year trilogy (begun in 2007) portrays humanity in extremis with two key characters struggling to survive and turn the tide. Over the three volumes, with Plague War in 2008, and Plague Zone in 2009, we are taken on a remarkable adventure. Cam, a ski bum with full emergency medical training and an impressive talent for survival, and Ruth, a genius capable of manipulating and designing nanotech together fight to save the world.

In 2008, Plague War was a finalist for the Philip K. Dick Award.

Sadly, Jeff Carlson died in 2017 of cancer at only 48 years old.

19. The Passage Trilogy, Justin Cronin

Justin Cronin, another author from the literary mainstream, wrote The Passage, 2010, The Twelve, 2012, and The City of Mirrors, 2016, after his daughter asked him to write a book about a “girl who saves the world.”

Passage

These are books slightly hard to define in that they straddle the intersection of the science-fiction, horror and fantasy genres. Some blithely describe them as novels about vampires, which are a major element, but this categorization does an injustice to the depth of the writing, characterizations and story.

I was swept away by the quality of the writing. One reviewer said of the trilogy, “There is a sense as you read this series that you are witnessing the creation of a modern classic.”

Colonies of humans attempt to live in a world filled with superhuman creatures who are continually on the hunt for fresh blood. It all starts when an abandoned young girl named Amy becomes an unwitting test subject in an attempt to use an ancient Bolivian virus to create a perfect super soldier. The virus may be the source of the vampire myth. That young girl goes on after many harrowing adventures to eventually fulfill Cronin’s daughter’s wish.

The reviewer quoted above also writes: “The scope of the trilogy is staggering at times. We see characters grow from scared kids to brave heroes, going on to become parents, then grandparents, then legends.”

20. The Nexus Trilogy, Ramez Naam

This trilogy has been described as a “postcyberpunk thriller”. The three volumes, Nexus, Crux, and Apex were written by their American author (born in Egypt) from 2012-15.

Set in 2040, the hero Kaden Lane is a scientist who works on an experimental nano-drug, Nexus, which allows the brain to be programmed and networked, connecting human minds together. As he pursues his work, governments and corporations take an interest and begin to threaten.

Nexus

Near the beginning of the trilogy genetically enhanced supersoldiers become vegetarians and pacifists after being dosed with Nexus and realizing first-hand the suffering caused by their actions. At the same time, sociopaths dose with Nexus so they can feel the pain they inflict on others.

At the climax of the final book a distributed intelligence made up of thousands of Nexus-linked humans tries to save the world by healing a posthuman AI goddess who was tortured into madness by her near-sighted human captors.

I was enthralled by the books. The pacing and events are definitely that of a thriller, while the wild possibilities of computer-brain interfaces, and linked human consciousness, are explored in depth.

In Conclusion

This was a sentimental journey back to considering many of these novels, although their worth is much more, I would argue, than pure nostalgia.

I did realize one insight as a result of doing this. The force of thinking and feeling realized in Emerson’s and Thoreau’s transcendentalism, that quest for the true and transcendent in our lives, has gone largely dormant in our culture. But I believe that in not a few of the science-fiction novels noted here, that quest reappears to evocatively light up the minds of talented writers. It has been expressed through narratives which include aliens and galactic empires, and stories about dreams and reality and the nature of consciousness.

It is amusing to reflect on the possibility that the best of Emerson and Thoreau lives on through science-fiction.

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Recently Found Tools For Writing Novels

July 14, 2022

I’ve just finished writing a second novel. I wanted to share a few of the tools I’ve found that helped me get it done, and will aid me in the future as I start on the third one.

By ‘tools’ I mean books on the craft of writing, and software.

There is a large industry devoted to selling advice on how to write novels to would-be authors. Not just books of course, but websites and software of all description. It’s hard to lift out the nutritious kernels from the dirt and leaves.

As time goes on, and I slowly become more experienced, I’m much less enamoured of those books which pretend to offer a surefire scheme based on arbitrary models of how novels should be structured. I’m thinking particularly of those books and authors who insist you must figure out three acts with certain obligatory ‘beats’. It all comes to seem so artificial and destined to bleed the life out of one’s writing. (And editors supposedly can spot the artificiality right away.)

Monetization and writing advice

I’ve understood that these models are a means to sell how-to books and for monetization in general. If you’ve got yourself set up as a writing authority online, such as for just one example, the writer K.M. Weiland, then promoting a lot of questionable technique becomes necessary. It’s about the continual need for specific “knowledge” to sell. (I don’t mean to pick on Weiland too much, it’s just I find her attitude about these matters annoying. She does have good instructive information on some topics.)

So I find myself better informed by books like Steven James’ Story Trumps Structure or John Truby’s The Anatomy of Story or Stephen Harrod Buhner’s Ensouling Language. But I’ve written about those books here before. I will come back with some new (to me) titles that I found helpful recently.

Obsidian

But first to the software end of things. I am becoming a fan of the free note-taking and personal information management (PIM) program called Obsidian. I’ve just discovered it in the last few months and it is becoming an important part of my note-taking and thinking about the novels I’m writing.

I’ve always been on the look-out for note-taking applications that can accept my helter-skelter thoughts and intuitions, and later help me use them in the writing. Previously I found NoteStormTW which I still think useful, but Obsidian seems more comprehensive.

Obsidian is a Markdown file reader. It sits on top of any relevant files in a designated folder or vault and enables users to write, edit and interlink their notes. I don’t know much about Markdown or PIM but apparently, these features make it an object of near cult-like reverence in some quarters. (You can find in-depth discussions for instance of Obsidian’s relevance for Zettelkästen and other esoteric matters.)

I like it because it’s not online, you don’t have to sign up for an account, and it seems incredibly flexible. You download it, install, review a YouTube video or two, maybe a written tutorial, and you’re away.

It’s even promoted as a ‘second brain.’ You build systems of bi-directional links between your notes, and there are even graphical plug-ins that enable you to better visualize what you’ve got. The exciting part is to perhaps discover links you haven’t noticed before. (An excellent overview of the application is at Sitepoint.)

The writer Vanessa Glau gives a good description of how she applies Obsidian in her fiction writing. She’s much more organized than I am, but she outlines an interesting process.

Freewriting

I’ve decided to come back to more freewriting as a method to incubate or brainstorm ideas for the next science fiction novel I plan to write. (I’ve previously written about freewriting in About Freewriting: Notes of a Pencil Sharpener, Part II.)

Freewriting, to return to originator Peter Elbow’s insightful thoughts on the practice is about “… a transaction with words whereby you free yourself from what you presently think, feel and perceive.”

The process can be something like this: Set aside 10 minutes. Start writing. Don’t stop for anything. Don’t rush but don’t stop. Never look back, do not cross out, do not muse about word choice, just go. If you get stuck, it’s fine to write things like, “I don’t know what to write, I don’t know what to write,” or repeat the last word over and over until something catches. The only requirement is that you do not stop until time is up.

A useful application which allows you to work with this is the simple writing program Q10 . It provides a distraction free writing environment with a timer. It only produces .txt files though, so you may have to open and save in some other program to get a format you want.

Now on to several books. After I finished the first draft of the novel I’ve been working on, I ran into my usual issue of not quite having a handle on how to revise.

Story Grid… Eh

Initially I found Story Grid: What Good Editors Know by Shawn Coyne to be a reasonable guide for my revision. There are a lot of useful insights into the state of the publishing business. But he starts to spend too much time on this for my taste before he gets to his method.

The heart of it are six questions one needs to keep asking about the novel. These include what are the protagonist’s objects of desire and what are the Beginning Hook, the Middle Build, and Ending Payoff? Worthwhile questions for a draft. But then he goes on to elaborate the beginning simplicity into increasingly complex and prescriptive spreadsheets and templates. If you go online, you see the method turned into another one of these writing craft merchandising schemes. Here’s the secret sauce you need!

Book Architecture

Then I found the book Blueprint Your Bestseller by Stuart Horwitz which became my guide this time for the overall revision of my manuscript. For the first novel, I’d done an Excel spreadsheet of all my scenes, with columns trying to incorporate the best advice about important points and characters.

Horwitz’s book laid out a similar method, which he calls Book Architecture, without the spreadsheet. As he puts it: “The basic premise of the Book Architecture Method is this: Your book has ninety-nine scenes. If you find your scenes and put them in the right order, you will be all set.” Well, it could be seventy-nine or a hundred-and-nine, but you get the idea. Finding and ordering scenes, and connecting them to the tentative theme you find in the work is the gist of it.

Once found each scene is named in a brief informative way and then listed without looking at the manuscript(!). This helps to understand what stands out for you about what you’ve written. (Presumably by this time you will have read your draft a few times.)

I won’t go on with all the details, but one concept he introduces I found unusual and interesting is that of series. A series can be seen as integrating a narrative element across a number of scenes.

Using the fable of The Ugly Duckling to show what he means, he picks out a series of scenes about “ugliness” and outlines their variations and how their sequence builds.

Another book I’ve been reading is Nancy Kress’s Dynamic Characters. She’s a science-fiction author who writes very well about the craft of writing, especially characterization and plotting. For instance: “Leaving out description results in characters subtly unconnected to their surroundings.” Of course, it is easy to put in too much. A fine line.

And finally, I’ve been reading an old book on writing by Dean R. Koontz, How to Write Best-Selling Fiction, which dates back to those prehistoric times before the internet. He’s a good, even great, fiction writer, although sometimes for me his writing is too over-wrought and jam-packed with dramatic crises and emotions.

A universal plot?

But I was struck by this description (mostly in his words) of what might be described as the ‘universal plot.’

1) A hero (or heroine) is introduced who has just been or is about to be plunged into terrible trouble.

2) The hero attempts to solve his problem but only slips into deeper trouble.

3) As the hero works to climb out of the hole he’s in, complications arise, each more terrible than the one before. It seems as if his situation could not possibly be blacker or more hopeless than it is — and then one final, unthinkable complication makes matters even worse. In most cases, these complications arise from mistakes or misjudgments the hero makes while struggling to solve his problems, which result from the interaction of the faults and virtues that make him a unique character.

4) At last, deeply affected and changed by his awful experiences and by his intolerable circumstances, the hero learns something about himself or about the human condition in general, a Truth of which he was previously ignorant. Having learned this lesson, he understands what he must do to get out of the dangerous situation in which he has wound up.

Perhaps a little simplistic for all circumstances, but this is a pattern which many great writers have used.

And, finally, one bit of I writing advice which I actually did this time: reading out loud the entire novel. This was a later stage effort after already doing a lot of line to line revision.

Reading the words out loud lets you find awkward rhythms and phrasing, or sentences that go on way too long for one breath. Although a really long sentence might be alright once in awhile, I tend to write sentences that should often be broken up. And reading out loud informs you of other subtleties that make a difference.

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