Posted tagged ‘book review’

Distraction – Science Fiction For Our Times

August 22, 2020

Distraction, by Bruce Sterling, 1998, Bantam Books
__________________________________

Science fiction pioneer H.G. Wells is often given as an example of a writer who predicted the future. For example, almost 100 years ago he foretold wireless communication systems, and before that he wrote about devastating atomic weapons and the doomsday scenarios they might cause.

Given that the pace of technological and social change has accelerated so much from Wells’ time, Bruce Sterling’s feat of prognosis in his sci-fi novel Distraction, from 1998, is equally impressive in its way.

For me, it is not so much the specifics of the world in 2044 that Sterling imagines, it’s that he’s captured much of the weird atmosphere that we’re living through today.

Although published in 1998, Sterling must have been writing it for at least a couple of years before that. This is before Google, and Y2K; before Napster and massive downloading of music files; just after the first online purchase (of pizza) in 1994; and before social media platforms, and corporate and political interests, have turned the internet into a surveillance system mixed with genuine information and outlandish conspiracy theories.

In brief, the story’s protagonist, Oscar Valparaiso, is a political operative who has just got a senator elected, and is casting about for work for himself and his “krewe” (anyone who can afford them has such an entourage). Oscar has the advantage of not having to sleep very much, and the social disadvantage of having been birthed as a clone from a test tube, with a few genetic tweaks. He is quite philosophical about this.

Oscar comes across as a well-meaning guy who wants to see the world progress, while all around him the political and social system is coming apart at the seams.

Extortion by bake sale

An Air Force base nearby in Louisiana, mistakenly left out of the budget by the dysfunctional national government, has soldiers blockading roads with the pretense of a bake sale to extort money from the citizenry.

The renegade governor of Louisiana is running his own nomadic militia and using outlaw biotech to further his presidential ambitions.

Rabid internet disputes become street fights between ideological militias. Half the population is unemployed and the United States has a 20-year-old State-of-Emergency. Covert wiretapping is a national pastime. Whites are considered a violent, unpredictable, suspect minority. Squatters take over federal buildings as needed. Climate change has made genetically modified crops necessary for people to survive.

“There were sixteen major political parties now, divided into warring blocs…. There were privately owned cities with millions of ‘clients’…. There were price-fixing mafias, money laundries, outlaw stock markets. There were black, gray, and green superbarter nets. There were health maintenance organizations staffed by crazed organ-sharing cliques, where advanced medical techniques were in the grip of any quack able to download a surgery program.”

Plausible deniability

There is one particular situation that Sterling imagines that really knocked me out with its futuristic insight and potential for harm that to a certain extent has already happened in our world.

He imagines political bosses throwing out ridiculous, extreme conspiracy theories about an opponent which no sane person would believe. They’ve compiled large lists of dangerous lunatics, though, and feed them all the inflammatory rubbish.

“Finding the crazies with net analysis, that’s the easy part. Convincing them to take action, that part is a little harder. But if you’ve got ten or twelve thousand of them, you’ve got a lotta fish, and somebody’s bound to bite. …That [opponent] guy might very well come to harm….

“Somebody, somewhere, built some software years ago that automatically puts [the politican’s] enemies onto [such] hit lists.”

Talk about plausible deniability.

In the midst of all this, Oscar soldiers on as a new member of a national science committee, appointed there by his senator, who by the way has become bi-polar. Oscar is good at manipulating people, mostly for their own good, but is not averse to dirty tricks either if he deems them necessary. He sees the only possible path out of the nation’s quagmire as starting with a new mission for science, where the practice of science becomes the actual primary function, rather than striving for the blessing of committees and making desperate appeals for funding.

In the end, Oscar creates a coalition between one of the large, disenfranchised nomadic militia groups and a bunch of renegade scientists.

Writer Michael Burnam-Fink, who is a major fan of Distraction, summarizes the outcome well: “While the nomads provide muscle and logistics, the scientists provide a sense of idealism and purpose for the nomads, who don’t recognize their own political power. The alliance threatens everything about the status quo.”

I’ve only provided a glimpse of the many imaginative wonders of this work, not all of them depressing. There are many parallels with our times. And often the book made me laugh out loud.

[Home]

The Strange Order of Things — A Book Review

November 25, 2019

The Strange Order of Things: Life, Feeling, and the Making of Cultures, by Antonio Damasio, Pantheon Books, 2018.
____________________

I was initially attracted to this book, coming upon it in a bookstore, just by the title.

The strange order of things well describes my own sense of the world, and experiences in it.  I’m not sure whether this book necessarily reinforces my perception of the strangeness and mystery of our lives, but it does provide another way to approach looking at life on Earth.

Strange OrderThe author, Antonio Damasio, is a professor of neuroscience, psychology and philosophy at the University of Southern California.  As that background might hint, this book is more of a work of scholarship than what would typically qualify as popular science reading material.  It is heavy going, at least for me, in many places, and seems intent on establishing the academic worth of the author’s ideas.

Homeostasis is all

The premise for all the book’s thought is the concept of “homeostasis.”  Most of us, if we remember high school biology, have a vague notion of what the term means.  Homeostasis, we were told, is about the ability of the body to maintain a stable internal environment despite changes in external, and internal, conditions.

A good example might be the actions our body takes to maintain our internal temperature of around 98.6 degrees F/37.0 degrees C.  Others could include glucose concentrations or calcium levels in the blood.  There is a narrow band of best fitness, and our body works towards those.  All of this is completely unconscious.  All animals keep themselves alive with the same mechanism.

Damasio takes the meaning and concept of homeostasis and broadens, deepens and heightens it a hundredfold on the basis of much recent scientific and philosophical work.

He then takes that omnipresent base of homeostasis and extends it eventually to human feelings, subjectivity and our consciousness, and the nature of cultures.

Damasio’s understanding of homeostasis is that it has “guided, without prior design, the selection of biological structures and mechanisms capable of not only maintaining life but also advancing the evolution of species….”

He goes on: “This conception of homeostasis, which conforms most closely to the physical, chemical, and biological evidence, is remarkably different from the conventional and impoverished conception of homeostasis that confines itself to the ‘balanced’ regulation of life’s operations.”  Our high school view of homeostasis is a narrow subset of the homeostasis Damasio is driving at.

So what exactly is Damasio’s concept?  In his view, homeostasis operated in ancient unicellular life forms back to the dawn of time, and in all the many intermediate life forms up to the present.  A nervous system, in the earliest creatures, was not necessary.  But it did require sensing and responding abilities, even down to the activity of chemical molecules in their membranes.  All in action to maintain the organism’s survival.

The homeostatic imperative

Damasio does not want to talk about maintaining the organism’s equilibrium or balance.  He wants to define homeostasis not as a neutral state but as a “homeostatic imperative” which projects and searches into the future as a basis for the organism’s well being today even on the chemical or molecular level.  Where is the best place to be to receive nutrients for that organism, for example.

Of course, for unicellular bacteria, there is no nervous system, but the evolution of life from those ancient beginnings depends, as we do, on homeostasis continuously casting about in time and space to increase the opportunities for survival of the organism. And not just bare survival, but:

“…Life is regulated within a range that is not just compatible with survival, but also conducive to flourishing, to a projection of life into the future of an organism or a species.”

In fact, for Damasio, how genes, nervous systems, consciousness, mind, feelings and culture come to exist at all is the result of the restless, unceasing activity of this homeostatic principle.  Homeostasis and life in all its forms are inseparable.

Damasio’s description of the development of the necessary nervous systems for animals to begin directly sensing and mapping their environment put me into a bemused state.

The mysterious stuff of the universe

It is as if the mysterious stuff of the universe (like the old-fashioned aether or the new-fashioned dark matter, dark energy and the little bit we know*) draws towards it the homeostatic seeking of life.  Nervous systems begin to form. They stretch out their tendrils of vision, hearing, touch, taste, smell for what that specific modality is capable of perceiving (while leaving out a vast universe of what is for the moment unknowable through those senses).

It’s a little like the fable of the elephant and the blind men, if the elephant is n-dimensional and we blindly imagine that what we see and hear, and the ideas that derive from that, must be the entire nature of things.

But I digress….  Damasio develops his line of thought about what homeostasis has wrought as follows:

— Development of the genetic apparatus is not conceivable without homeostasis
— Genetic selection is guided by homeostasis
— The first cells develop
— Multicellular organisms arrive
— Nervous systems take form which enable better sensing of the “surround”
— Mapping of the environment through the senses occurs
— The creation of “images” based on that mapping allow refined homeostasis
— The activity of feelings connect to the homeostatic regime
— Subjectivity and mind become prominent
— Social and cultural interaction become another layer

This is a list I drew up with large gaps in its sequence (some may be simultaneous) and description, but this is the drift of what I glean from the book.

The function of feelings

Damasio’s description of the function of feelings I found quite interesting, although in the book I thought it was a bit jumbled, with discussion here, and then over there.  He does devote two chapters to it, however, called Affect and The Construction of Feelings.

I find this interesting because I “feel” (there’s that word) that my life is governed more by feelings (including sensations in my body) as a mode of discernment rather than by intellectual or purely rational processes.  (It could be that’s just me though….)

“Feelings portray the organism’s interior – the state of internal organs and of internal operations – and as we have indicated, the conditions under which images of the interior get to be made set them apart from the images that portray the exterior world.”

The experience of feeling translates the condition of underlying life directly into mental terms, as bad, good or unremarkable in the background.

“Spontaneous feelings signify the overall state of life regulation as good, bad or in between.  Such feelings apprise their respective minds of the ongoing state of homeostasis.”

And such feelings eventually result in social and cultural consequences in one direction, and influence endocrine, immune and nervous systems going inward.

Damasio asks the question, why should feelings feel like anything at all, pleasant or unpleasant?  Because, he says, they make a difference. They prolong and save lives.  “Feelings conformed to the goals of the homeostatic imperative and helped implement them by making them matter mentally to their owner….”

Am I conscious?

For Damasio, evidence of consciousness (if we really need to have that) is that we each have our own perspective.  Subjectivity and integrated experience make up consciousness.  The process of subjectivity relies on the building of a perspective for images (from all the senses) and the accompaniment of the images by feelings.  There is no one place in the brain where all this occurs.

“Mental states naturally feel like something because it is advantageous for organisms to have mental states qualified by feeling.”

Moving on to homeostasis and the nature of culture, we run into a major difficulty for the success of homeostasis at that level.  Homeostasis is inherently based in the individual organism, and culture is really about how to accommodate the competing, or at least different, wants and (homeostatic) needs of each individual.

We could take a look at the social insects, though, as Damasio points out.  “Their seemingly responsible, socially successful behavior is not guided by a sense of responsibility to themselves or others, or by a corpus of philosophical reflections on the condition of being an insect.  It is guided by the gravitational pull of their life regulation needs….”

But on the more human, conscious level, I can see an obvious role for the mechanisms of homeostasis in at least those arenas where “distributed cognition” might hold sway.  (The concept of distributed cognition rethinks the basic unit of cognition, expanding it beyond the skull to include the whole body, useful physical artifacts and technologies, and ultimately, groups of people.  Think of a team of people navigating a large ship.  Or a band playing a song.)

As is usual with my reviews, especially of books on complex subjects, I have barely skimmed the surface here of what Damasio describes, and may occasionally have simplified it beyond recognition.  There is much more to the book especially on feelings, consciousness and the nature of culture.  Those ideas and the book as a whole is well worth the time it takes to wade through the density of the text.

But let me leave it here with this final quote from Damasio from an early chapter on the human condition:

“Cultural homeostasis is merely a work in progress often undermined by periods of adversity. We might venture that the ultimate success of cultural homeostasis depends on a fragile civilizational effort aimed at reconciling different regulation goals.  This is why the calm desperation of F. Scott Fitzgerald — ‘so we beat on, boats against the current, borne back ceaselessly into the past’ — remains a prescient and appropriate way of describing the human condition.”

[Home]

*A footnote!

For some interesting articles on the current limits of what science knows about the universe:

We May Have to Wait for Post-Humans to Understand the Universe
The 18 Biggest Unsolved Mysteries in Physics
Top 10 Unsolved Mysteries of the Strange Universe

Whatever Happened With The Voynich Manuscript?

February 29, 2016

Back in 2010, I wrote a post called I Like A Good Ancient Mystery: The Voynich Manuscript.  I figure it’s time to see what has happened since then.  Has any of the mystery been dispelled?

In brief, from that old post, the Voynich Manuscript originated at least as far back as the 1400s, and was written in an indecipherable script by person or persons unknown.  It was also decorated with unknown plants and star constellations, and with a variety of naked female figures cavorting in and around vaguely alchemical vessels.

Perhaps the most fascinating of the manuscript’s features are the proliferation of theories about it, ranging from that it’s a complete hoax to being authored by Leonardo da Vinci, or that it was written in the language of the Aztecs.

voynich-20

The 240-page document can be now seen in its full glory on The Internet Archive.  It’s amusing that one of the reviews there claims the enigmatic writings explain how women think and their minds work.  A true mystery explained, if we could only read it!

So what has happened since 2010?

In one blog devoted to the Voynich that I referenced in the old post, Thoughts About the Voynich Manuscript, there have been entries as recent as July, 2015.  Apparently people are still doing statistical analyses of the characters and drawings, and dating inks and papers to still no definite conclusions. There are those who still think it is a hoax.  Theories continue to be devised about it, so many and so harebrained that the proprietor of that blog had to stop in 2013 providing a form for people to give their ideas on the matter.

voynich-1

The other blog I referenced, Cipher Mysteries, is also still around and has more recent entries, up to February, 2016.

As the title of the blog indicates the author remains highly interested in the unknown alphabet and cryptology of the work.  He even investigates other unusual medieval manuscripts also written with unknown scripts and alphabets.

I remember reading a couple of years ago that someone claimed to have deciphered 14 characters and 10 words of the Voynich.  A professor of applied linguistics in England, Stephen Bax, believed he’s picked out names like hellebore or coriander for some of the plant diagrams.  He tried to identify proper names in the text, which is a strategy used in deciphering Egyptian hieroglyphics.

He made his announcement with the hopes that others could follow up and decipher more.  Bax believed that the book is “probably a treatise on nature, perhaps in a Near Eastern or Asian language.”

voynich-4

Back to the Aztecs: also in 2014, according to Wikipedia, Arthur Tucker and Rexford Talbert claimed they had identified plants and animals in the Voynich with the same drawings in a 15th Century Aztec herbal.  They claimed that this was Colonial Spanish in origin, and specifically the Nahuatl language.

This proposal has not been taken up by other Voynich researchers.

I kind of like this theory that I found on the site Mirrorspectrum: Your daily source of news — “Given the fact that the ancient manuscript depicts star charts that are unknown to us, the Voynich Manuscript could have been created by a being not from Earth, who during the 1400’s crash-landed on Earth and created the manuscript documenting life on Earth.”

The enigma has even stimulated the creation of a symphony by Hanna Lash, composer-in-residence of the New Haven Symphony Orchestra in Connecticut.  Each movement in the symphony is based on the rough divisions of the manuscript.  The first movement, “Herbal,” debuted last year and the second, “Astronomical” is due this spring.

The conundrum of the Voynich Manuscript is so complete that it becomes a screen upon which to project whatever rational, or obsessive, or delusional construct one may be predisposed to make.  The most appropriate response, up to now, may well be the one the composer is making.

If you’re interested, you can download the Voynich Manuscript to take a look yourself, from the site HolyBooks.com.

[Home]

The Five Stages of Collapse – A Book Review

November 1, 2014

The Five Stages of Collapse: Survivors’ Toolkit by Dmitry Orlov, New Society Publishers, 2013
————————————————-

This book is one long challenge to most of the notions we received as part of our schooling and socialization. …It questions what being properly socialized means: is it being able to ignore the obvious signs of incipient collapse that makes you a well socialized individual?
Dmitry Orlov

As the world, or at least many places in it, seems to lurch from one crisis to another, one may be forgiven about thinking about stability and the direction of things as a whole.

I came across this book recently and found it surprisingly objective and cool-headed as it describes the end of the world as we know it.  Orlov anticipates that unsustainable crises will really start to bite by the middle of this century.  The financial, commercial and political systems will crumble, to be followed potentially by social and cultural collapse.

orlovThis is not a “survivalist” book about retreating to the renovated bomb-shelter with your shotgun so much as it is an attempt to describe the mechanisms of social decay in our way of life.  It is survivalist in the sense of that being forewarned may help to ease the transition to the changes that are coming.

I look around where I live on the west coast of North America which in many ways is one of the best places to live on Earth.  But more and more, from transportation systems, to sewers, to water supply, to education (including the universities), to medicine, to communication, to food supply, I find I often whisper to myself: we can’t afford our infrastructure.

In addition, there’s all the damage we continue to do to the land, water and air that sustains us.

Standing Outside the Mainstream

Over the years, I can see that I’ve been influenced by the thoughts of men, and women, who manage to find a place to stand outside the mainstream.  There’s William Irwin Thompson, cultural critic and historian, who out of yogic meditation brought forth his critiques of academia and society.  There’s author Doris Lessing, whose seeking led her to the objectivity of the Sufism of Idries Shah, and wisdom about humanity.  Also there’s Wendell Berry, whose livelihood upon the land gives him an essential grounding that expresses itself in his poetry, prose and politics.  I think of Thomas Homer-Dixon who found useful points of reference in the decline of the Roman Empire and the ecology of forests as a civilizational model to look at our society’s resilience, or lack of it.

In the case of Dmitry Orlov, his perspective and independence of thought seems to come mainly from being ex-Russian.

Orlov and his family left the Soviet Union in 1976, as part of a wave of emigration used by Moscow at the time to rid itself of undesirables and dissidents.

Orlov has observed, and sometimes experienced, currency tribulations, widespread surveillance, the abuses of a police state, and the rise of a criminal/oligarchic class that has now largely integrated with the former KGB agents who currently run Russia.

I’d like to run through a little of what Orlov has to say about each of his five stages of collapse.  He includes fascinating case studies that highlight points he’s making, some of which I find disagreeable.

Orlov appears to have no ideological agenda to further, other than his sympathy for anarchism and family as a means to community.  He says:

“There is no agenda here – just the assumption that collapse will happen, the conjecture that it can be analyzed as unfolding in five distinct phases and, based on quite a bit of research, the conclusion that each phase will require a different set of adaptations from those who wish to survive it.”

Stage 1: Financial Collapse

The result of this first stage is that financial institutions become insolvent, savings are wiped out and access to capital is lost.

Orlov’s point is that the global financial system is a mental construct which confidence maintains, and if confidence is lost, as we could see in 2008, it starts to unravel and fall apart.

The financial system is a house of cards built on ever-increasing debt in order to grow.

He sees usury (lending at interest) as the inevitably rotting root of the system.

“…We have become dependent on global finance, which is based on fiat currencies (ones unsupported by any traditional, fixed store of value such as gold, silver or land) that are loaned into existence by banks, at interest.”

Money in our system does not conform to the laws of physics – everything else diminishes with time.  Usury, in Orlov’s view, makes financial collapse inevitable.  Usury is only viable in an expanding economy.  “Once economic growth stops, the burden of usurious debt causes it to implode.”

And so we see the collapse of the economies of sovereign states, such as Greece, on the large scale, and at a smaller scale, the bankruptcy of cities such as Detroit.

The only remedy that central banks of any nation have is to print more money, which inevitably devalues it.  We have seen this up-to-now slow process over my lifetime – a dollar now is worth much less than what it did in 1980, say.   In the US,  the dollar has lost 8000 percent of its value in the last 41 years, Orlov says.

Orlov observes that although our economic system depends on infinite growth, once that endless growth fails to materialize, what then?

He proposes storing value in real commodities although that has its limits.  Are there alternatives to money that  communities can create for themselves?  He looks at barter and other systems of trading.

Although he concedes he may be hopelessly idealistic, Orlov sees the ultimate solution in strong, extended families that pool all their resources and are presided over by elders, who band together and form a larger community and create self-governance by a council of such elders.

The inevitable end of the fossil-fuel era, and the dream of never-ending expansion it engendered, will necessitate a return to older, smaller scale means of exchange between individuals, families and communities.

Iceland as a case study

Orlov uses the instance of Iceland which suffered a financial meltdown due to the events of 2008 and after, and then began to recover.   Iceland is one of the few places in the world still small enough to have direct democracy rather than the degenerate forms of representative “democracy” many of us are subject to.

Iceland’s approach was to let financial institutions go bankrupt rather than prop them up by printing more money.  Orlov argues that Iceland made a heroic and wise decision:  the failure of banks freed up resources for productive activities that benefitted the entire society.

Stage 2: Commercial Collapse

This review will go on much too long if I delve in depth on each of the stages, so I will just touch on highlights for the remainder.  For the intelligence and general contrariness of Orlov’s thought, leavened by his good humour, I urge you to take a look at the book itself.

Our commercial system has become one of increasing numbers of middle men, each scratching to take as much out of the money chain as possible.  It too will not be sustainable.

“… [This] can be characterized as cascaded failure, in which the first failure (which happens when the assumptions underlying contemporary financial arrangements suddenly become regarded as untenable) has a knock-on effect on commerce (due to a lack of commercial credit), which in turn, has a knock-on effect on government finances (through a rapidly shrinking tax base).”

The so-called free market is based on a system of property law, a legal system able to enforce contracts and a law enforcement system that can deter economic crime.

Orlov notes that without the legal, enforceable basis, the Russian experience shows that the free market becomes a criminal market, “where debts are settled for pennies on the dollar by having creditors murdered.”

He ends this section with a case study on the Russian Mafia.

Stage 3: Political Collapse

Political collapse can only be disruptive.  “The ruling classes and the classes which serve them (the police, the military, the bureaucrats) generally refuse to go softly into the night and allow the people to self-organize, experiment and come together as autonomous new groups adapted to the new environment in their composition and patterns of self-governance.”

One obvious result of this is that “for the sake of preserving national unity, a failing nation-state often looks for an external enemy to attack, preferably a weak, defenseless one, so that it poses no risk of reprisal.”

In his discussion, Orlov makes a strong case for anarchism, despite our conditioning to see the typical anarchist as an antisocial bomb-throwing terrorist seeking violent overthrow of the existing order.

Orlov points out that as a student of nature, anarchism makes sense as a system of cooperation and can be seen everywhere among animals.  He notes the Russian scholar Peter Propotkin’s writings on anarchic cooperation as essential to the success of many species.

Orlov’s personal definition of anarchy is “absence of heirarchy.”  He also draws from recent research into “complexity theory” by physicist Geoffrey West.  It leads him to think that collapse is not an accident but an engineered product by those who “think that a higher level of authority, coordination, harmonization and unity is always a net benefit at any scale.”

Governments are good at certain things, Orlov is very willing to admit: maintaining a national transportation infrastructure, a reliable post office, and a fast internet….

Orlov’s case study to conclude this section  is that of the Pashtuns, who occupy a tribal area between Afghanistan and Pakistan.   They continue to succeed in defying all the empires and nations that have arrayed against them over the past century – the British, the Pakistanis, the Soviets and most recently the U.S.

Their governance is semi-leaderless and self-regulating.  Some of their governing methods date back to Athenian democracy or before.  Orlov admires their hardiness and tenacity.   He doesn’t mention too much about their ties to the Taliban and the related negation of the essential worth of the female population, which really can’t be seen as a survival trait.

Stages 4 & 5: Social & Cultural Collapse

“Few places are likely to remain sufficiently insular to escape the onslaught of internationally displaced groups driven from their land by a variety of forces, from political unrest to economic dislocation caused by globalization to habitat destruction caused by rapid climate change.”

In Orlov’s view, it will be better to concentrate on a safe way to be, with others, rather than some imaginary, for most of us, safe place to go.

Communities who already live with hardships of one kind or another will be more resilient than, say, gated communities of the affluent.

In his discussion of social collapse, Orlov sees organized religion as a binder among people and communities that will endure and may assist in regenerating society.  (I think of the classic science fiction novel A Canticle for Leibowitz in this connection.)

Personally, organized religion appears pernicious, undesirable and unnecessary, but I can also see its utility in building and sustaining a sense of community.

Orlov is not as strong in his thinking in this part of his book, and he admits to that.  If we get to this stage, whatever happens after social and cultural collapse will be up to each of those who survive – there may not be a lot of useful prescriptions.

His case study for social collapse is the culture of the Roma, the Gypsies of Europe and North America who have learned to survive in difficult circumstances.  They are a nomadic and insular, even secretive people, but they are well-suited to thrive in a disordered, disorganized society.

The Case of the Ik

For a case study on cultural collapse, he cites the famous anthropological research of Colin Turnbull on an African tribe called the Ik, which Turnbull published in the book The Mountain People, in 1972.  I remember reading that book many years ago, and being dismayed about the Ik’s profound abasement as a society and what it may show about ourselves.

As Orlov says, the Ik are rugged individualists – to a fault.  Their language is unrelated to any others in their vicinity, but has characteristics of Middle-Kingdom Egyptian.  Under a permanent suntan, their skin is red not black like the surrounding African tribes.

The Ik are a post-collapse society which has been under stress for many, many years.  They were once nomadic hunters and gatherers, but various colonial and national authorities took their hunting grounds away from them and made them settle and try to subsist on barren land of no agricultural value.  The result has been intermittent famine and starvation.

Their language has lost all of its pleasantries and niceties.

Their village compounds consist of concentric circles of stockades penetrated by small and cryptic openings as a defense against their closest neighbours.

They seem to have almost no emotion except for occasional gruesome hilarity at the misfortune of others.  They do their best to eat alone and in secret.  Children are abandoned early and  learn to feed themselves by watching baboons.

As Orlov observes, it is rare to have an anthropologist spend two years with a tribe and come away urging that the object of his study be broken up into small groups and settled far away from their homeland.  Turnbull was traumatized by his stay with the Ik.  Turnbull realized that we all have a bit of the Ik in us, and that people of the developed world are becoming more “Ik-like.”

The Ik show a way of surviving cultural collapse.  It’s better not to have to go that far.

[Home]

An Even Better Book About Story

May 24, 2014

“Human growth is very elusive, but it is real, and it is what you, the writer, must express above everything else (or else show why it doesn’t occur).”
John Truby, The Anatomy of Story, 2007

In my ongoing quest for story, in which I unconsciously emulate the character in a novel seeking essential answers about writing and being thwarted at every turn by external circumstances and the weaknesses of my own character, I’ve encountered John Truby’s book, The Anatomy of Story.  (Or maybe that’s just barely consciously….)

In any case, Truby’s book is like the main course after the appetizers of the previous post, “The Synergy of Two Books About Story.”

Truby is apparently something called a “story consultant” in Hollywood, and comes more out of the screenwriting milieu than novel writing, but his book on story is universal enough to cover all the varieties.  It is rich with ideas and in depth, even more so than the previous two books I looked at here.

He wants the writer to get away from artificial divisions like “three-act structure” to get to grips with the natural characteristics of compelling stories.  His goal, he says, is this:

“In simplest terms, I’m going to lay out a practical poetics for story-tellers that works whether you’re writing a screenplay, a novel, a play, a teleplay, or a short story.”

truby--anatomy_smallHe has no use for terminology like “rising action,” “climax,” or “progressive complication,” or any other approaches without real practical value for storytellers.

I’m not going to attempt to mention everything he covers in 421 pages, but I will try to hit some of the high points that appealed to me.  Perhaps this can serve as an introduction to what I think is one of the better books on story, and writing, that I’ve read.

The dramatic code is central to his analysis, and the foundation for most of the structural elements he describes in stories.

In the dramatic code, change is fueled by desire.  According to Truby, the dramatic code is at the core of human psychology.  It’s an artistic description of how a person can grow or evolve.

Premise and Designing Principle

The writing process is about decisions, Truby says, and the first important guide to those decisions is the premise of the story.  “Your premise is your inspiration.”  It should contain the ingredients of the first flash of excitement when the idea of the story first arose.  The premise allows the writer to explore the story, and the form it might take, before it’s actually written.

Truby counsels that finding the gold in a premise, takes time, a lot of time.  He recommends taking weeks to sit and sift the premise.  And he provides a suggested methodology to get the most out of it.

I’ll list the steps he discusses without going into them in detail.  I’ve found them fruitful and their names are quite descriptive:

1) Write Something That May Change Your Life
2) Look for What’s Possible
3) Identify the Story Challenges and Problems
4) Find the Designing Principle
5) Determine Your Best Character in the Idea
6) Get a Sense of the Central Conflict
7) Get a Sense of the Single Cause-and-Effect Pathway
8) Determine Your Hero’s Possible Character Change
9) Figure Out the Hero’s Possible Moral Choice
10) Gauge the Audience Appeal

That’s a lot to think about.  In my own case, with the story I’m working on, I’ve already sorted a lot of this out, perhaps more by luck than design.

Finding the designing principle, no. 4 in his list, gave me a lot to chew on.  It has a very specific meaning to Truby — it’s the internal logic of the story, the organizing principle that unifies it.  And he says, the designing principle is difficult to see, and in order to work, it must be original.  He gives the example of the movie Tootsie to illustrate his meaning:

Premise —  When an actor can’t get work, he disguises himself as a woman and gets a role in a TV series, only to fall in love with one of the female members of the cast.

Designing Principle — Force a male chauvinist to live as a woman.

Or taking James Joyce’s Ulysses:

Premise — Track a day in the life of a common man in Dublin.

Designing Principle — In a modern odyssey through the city, over the course of one day, one man finds a father and the other man finds a son.

The Seven Key Steps of Story Structure

According to Truby, a good story has a minimum of seven steps (it may have more) in its progress from beginning to end.  These are not external structural requirements, such as imposing a three-act structure.  He says, “They are the steps that any human being must work through to solve a life problem.”  How these steps are linked will be up to the author, in order to provide the greatest impact.

1) Weakness and Need.  The main character is missing a crucial characteristic, has a profound weakness that is holding him or her back from gaining what the character truly needs.  Our hero, though, should not be aware of his need at the beginning of the story.

2) Desire.  This is different from need, which is the character overcoming a weakness.  Desire is a goal outside the character.   Desire is more obvious and allows the reader to want along with the hero, and provides what the reader or audience thinks the story is about.  Need is more hidden and linked to self-revelation by the end of the story.

3) Opponent.  Truby says seeing the main character’s opponent as purely evil “will prevent you from ever writing a good story.”  The opponent must be seen structurally: the opponent not only wants to prevent the hero from achieving his desire, but is competing with the hero for the same goal.  Truby gives the example of a detective story: “It appears that the hero wants to catch the killer and the opponent wants to get away.  But they are really fighting over which version of reality everyone will believe.”

4) Plan.  The hero’s plan is organically linked to desire and the opponent to be overcome.

5) Battle.  The battle is the final conflict over the goal between the hero and opponent.  This could be an overt event of extreme violence, or a confrontation through dialogue.

6) Self-Revelation.  This most completely can come in both psychological and moral forms.  The hero sees himself or herself honestly for the first time, and takes action to prove that changes have occurred.

7) New Equilibrium.  “The hero has moved to a higher or lower level as a result of going through his crucible.”

The Character Web

Although there’s much more to explore in what Truby presents, the final thing that I want to mention, and that made a great impression on me, is what he calls the web of character.  All the characters must help define the others.

Many of the characters serve as opponents to the main character, although they may be a friend or lover, and may be even better people than the hero.

Truby talks about allies, fake-ally opponents, fake opponent allies, subplot characters and the story functions served by them.  For instance, he thinks of subplot as a very specific device — a way to show how the hero and a second character deal with the same problem in different ways.  “Through comparison, the subplot character highlights traits and dilemmas of the main character.”

He goes on to detail how to create a great hero, how to create character change in the story, and how to build conflict.  For instance he describes how better stories go beyond a simple opposition between the hero and main opponent and often use what he calls a four-corner opposition.

I’ve barely scratched the surface of the nature of story as presented by Truby.  But I’ve found the book very useful and even inspirational.  And with my own work, it lets me see the way forward.

[Home]