Posted tagged ‘blues’

Making Some Music With Guitar

March 28, 2019

This follows on the same path of trying to learn electric guitar as chronicled in previous posts like The Aging Learning Guitarist Keeps On, The Impatience of Learning Guitar, and On the Need to Make Music.

I can now link to a YouTube playlist of guitar music I’ve recorded.  (All due to the guy who I take lessons from and who puts the tracks together – Eddy Bugnut, music producer extraordinaire, at Bugnut Records: Mixing – Production – Songwriting.)

There are eight music videos there now.  I’m not quite sure what to make of them.  A great opportunity to show off to friends and relatives, I guess, as well as to hapless blog readers.  I like them, which is better than the opposite.

The one I’m happiest about right now is Take the High Road.  I’m flabbergasted that it rocks. It actually rocks. That I played it is totally amazing to me.  (Well, with the aid of some skillful editing here and there.)

I’m really interested in hearing how one of the next — Watching the Watchtower — turns out.  (It was finished, and I think it’s good, for somebody of my musical immaturity.)  That’s the title we’ve put on a shortened version of Jimi Hendrix’s All Along the Watchtower.  Sacrilege, I know.  It’s shortened because I couldn’t quite manage some of the more difficult speedy finger-twisting lead parts.  It’s different enough from the original to have a related name.  Anyway, it still is powerful to me what we’ve done, how Eddy’s put it together.  He’s making the rhythm guitar sound so good, along with the sound in general.

Besides that, another video is an actual original tune, if you can imagine, and a couple more videos of cover tunes too.  It’s fun to participate in helping them come together.

OK, enough fun.  Time to get back to work on the writing….

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Revisiting Grand Funk Railroad

July 5, 2018

Many of the thronging hordes that frequent this blog may not have even been alive when the power trio Grand Funk Railroad were in their heyday.

I was around in the late 60s, early 70s when at least one of their songs became unfortunately very popular.  I say “unfortunately” because an almost meaningless song like “We’re An American Band” was constantly on the radio, when they had so many other great rock ‘n’ roll songs we should have heard more of.

However, I can forgive “American Band” every time I hear “I’m Your Captain/Closer To Home.”  Take a moment now to listen to it….  Or the live version at Shea Stadium.  Isn’t that epic?

I listen to it as if it is a mysterious fable wanting to tell me something. At the end I’m never sure what, but I’m still touched by the telling.

Despite the album version being 10 minutes long, it did get considerable play in its day especially on FM radio, which at the time was almost as free spirited as the early internet.

The song became an unofficial anthem of Vietnam vets, who came to hold the song and its writer Mark Farner in high regard.  It resonated with their experiences wanting to come home from the war.

So, Mark Farner on guitar, Don Brewer on drums and Mel Schacher, bass, made up Grand Funk Railroad, which was formed in 1969.  (However, others participated in the future.)  Its original configuration was that of a power trio.

Power Trio!

(“Gramps! Gramps! Whatever is a ‘power trio?”

“Why, little one, for a short time it was a magical combination of musicians for playing rock music.  It was loud, energetic and expressive in a tempestuous time.”)

In those days, some people thought Grand Funk borrowed a lot of their sound from Led Zeppelin, a quartet.  But they were really in the mold of Cream, that famous power trio.

But listening to them as I have been recently, they seem more like a northern yankee version of the Allman Brothers Band, a much larger unit.

The Funk were good.  So together in their playing.  It’s amazing, as was the case with other good power trios, that they could raise such a mighty and melodic wall of sound.

Mark Farner’s lead guitar is often restrained but capable of wonderful passages.

The compilation I have is Classic Masters – Grand Funk Railroad. I will mention some of the songs in rough chronological order.

The history of the band can be divided into two approximate periods, Terry Knight as producer, 1969-72, and the well-known Todd Rundgren for most of the time after that.

“American Band” and their other #1 hit “The Loco-Motion” (which I do like a lot better than “American Band”) came from the Rundgren period in the 70s.  He brought a more radio-savvy appreciation of the times and of what could be a possible hit.

“Time Machine,” their first single back in 1969 from the Terry Knight years, is blues-rock which chugs along so lovely.

“Heartbreaker” is from that early time too.  A blues wailer to start which turns into a power anthem, so controlled, then surprising in its rendition of majestically combined voices.

“Miss Mistreater” is the only GFR live recording released as a single.  A morose sarcastic ballad is sung with a sense of experience and understanding which transitions to a high-tempo freakout, then slows again.

Then “I’m Your Captain” arrived and impressed many, although there were some who considered it musical gobbledegook.

The band added a keyboardist, Craig Frost, and went off to Nashville to record songs like “Rock and Roll Soul.”  This is a pretty standard hollerer about rock ‘n’ roll, which you know will live forever, man!

I have to say that the band’s cover of the Rolling Stones’ “Gimme Shelter” outdoes the original.  They truly made it their own.

I won’t mention every song in the compilation at hand, but I did like the hard rocking “Shinin’ On” a lot from 1974 and the Rundgren period.  Great intro….

After Rundgren, a new producer Jimmy Ienner got involved in the mid-70s.  “Some Kind of Wonderful” — can I get a witness! — and “Bad Time” come from this time.  “Bad Time” is catchy and definitely gone beyond into pop music.

“Take Me” was released as a single in December, 1975.  Great guitar solo from Mark Farner.  He sounds a little like Mark Knopfler of Dire Straits here.  And then there was no more of substance to hear from the band.

Listening now, I think Grand Funk Railroad are much better than what may be their general reputation in rock music.  It’s true at the time when they were producing music I didn’t think they were so great, yet every time I heard “I Am Your Captain/Closer to Home” I had to stop and listen.

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The Aging Learning Guitarist Keeps On

February 11, 2015

I’ve got to keep on keepin’ on
You know the big wheel keeps on spinnin’ around
— Steve Miller, Jet Airliner

At this point on my guitar learning adventure (as previously chronicled in such posts as The Impatience of Learning Guitar and Manchild with Guitar), I’m trying to challenge myself to play in more difficult territory and perhaps be able to claim to have some intermediate skills eventually, rather than to be just a beginner.

I’m still taking lessons from the same rock guitarist and music producer I’ve gone to for several years.  They are funny kind of lessons, but they have evolved over time and suit me.  I bring in a piece I want to learn how to play.  One time it was a simplified, if still complicated, Bach tune, another time a very fast (for me) blues-rock number.

I’m not quite sure what Eddy thinks when I bring along something like these to learn, at the edge of what I’m able to do.  He very patiently goes through each piece with me as we work on phrasing and technique.  As a working musician and quite a good teacher for a young guy, he’s a master at simplifying, if only temporarily, until I get up to speed on difficult passages.   I tend to throw my hands up in dismay at my effrontery in even thinking I can play them.  But we work through that, and with more practice than I like to say, I make progress.

Because Eddy loves to work with music, even my efforts, he’s taken to recording them in his home studio.  I think he likes to record me because I’m not going anywhere in particular with what I’m doing, and there are no expectations or demands or requirements on him for the finished results.  We just get to play around.

I now have a half-dozen or more recordings of my renditions.  They sound pretty good after he’s done splicing and editing them meticulously together.  They’re fun to have and to show off to any friends or family whom I can impose upon….  And I get to learn a little about music production, although half the time I’m not quite sure what he’s talking about.

All Along the Watchtower

My latest project is to learn to play All Along the Watchtower, that wonderful version of a Dylan song by Jimi Hendrix.  I think that’s my favorite Hendrix tune.  So I gathered together a bunch of instructional videos off of YouTube, got some sheet music together and backing tracks, and presented it to Eddy as what I wanted to do next.  I have to hand it to him, he didn’t blink, and started putting the backing tracks and the original song into ProTools to work on.

I want to do it like a Ventures tune, an instrumental version including the voice parts, which you don’t find done so much.  Although I had started trying to learn the opening rhythm section and the first intro solo, it was a bit of a shambles.  It’s another example of me ruing my ambitiousness.  So we’re going through the song step-by-step.  We’re up to the second solo and it’s starting to sound not too bad.

Hendrix was a monster player, as every guitarist realizes.  He played like there was absolutely no barrier between his musical will and his hands and fingers expressing that will on the guitar. And he must have had incredibly strong hands to bend the strings like crazy as he does.  Eddy has got me cheating on some of the more extreme bending, but it still sounds good.  And there’s one very fast passage so far — I’m working hard to get it into my fingers so I don’t have to think about it, and just do it.

There are many great solos in this song, and even if I’m not able in the end to play any of it very well (although I hope for better than that!), I’m still learning a lot by pushing at the boundaries of my ability in this way.  Even if I feel like a schmuck when I flounder, as I often do….

Useful Guitar Learning Resources on the Web

In my guitar journey, in addition to the useful sites mentioned in previous posts such as the great Robert Renman’s two — Dolphin Street and Master Guitar Academy — I have found some very good additional sites.  Almost all of these sites have a free lesson component and then offer lessons or material to buy.  The proportion of free on the ones I’ll note here is quite high.

The kind of free instructive material is also important — some of the most commercial sites just offer fragments to entice you rather than anything useful.  I think the better sites like Renman’s are actually very smart marketing — I’ve learned a lot from his free stuff and I’ve gone on to buy several lessons I wouldn’t otherwise have been interested in.  I know the detail and care he puts into them.

1) Fundamental Changes — Lots of lessons “In the Style of ….” (Dave Gilmour, B.B. King, Keith Richards, etc.) which are good for picking up new licks, and also many videos on theory and technique (Harmonics on Guitar, Chromatic Notes in Solos, etc.).

2) Fret Jam — Very clear and well taught videos (and written material) on many aspects of guitar musical theory, in particular.  For instance, one recent free lesson is on “Suspended Guitar Chords — How and When to Play Them.”  Another recent article is “The Best Guitar Chord Software & Chord Tools On the Web” which will lead you to a number of other good and informative sites.

3) Fachords — Although it also has free video lessons, the most interesting part of this site I find are the free online Guitar Apps .  These include a scales finder, a chord finder, fretboard trainer, speed trainer, interactive scales harmonization, and more.

There is just so much good guitar instructional material on the web.  I am guilty of buying more books, having more links and downloading more videos than I will probably ever go through in the detail they deserve.  I just wish it was all available when I was a kid, when I made my first unsuccessful stabs at learning the instrument.

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